OUR NARRATIVES AND THEIR INFLUENCE
My stories about myself in the world create attitudes and energies that are affecting not only me but the field we're building together, and further on the webs of our wider worlds.
Maybe it will show beneficial, if we all, along the way reconsider the stories, and clarify the attitudes towards certain people and concepts, that consciously or sub-conssiously are influencing how we act and react, and what we radiate in our relations.
Bringing in what for you are central to a nurturing field and fertile soil, may remind me of what I may have forgotten.
TWO TIMELINES ~ TWO STORYLINES
Here I look into two aspects of consciousness that affect my perception of reality
(obs. the word 'timeline' is used within different areas. Here I use it in my own exploring understanding)
The timeline with the physcal glasses on, carries the story of my humanhood in blood and bones. That begins when I was born and leads me to today.
That faces a lot of practice and learning being in a body, in a community, in a society, on a living planet with other species.
The timeline carrying glasses open to energies and subtleties, is the story that may begin with a star in the universe or a methaforic seed in a magic pot. That holds quite different characters to it. And maybe divine influence.
On one hand I may be the one who flows with the stream, on the other hand I AM the cosmic, living waters.
These two sometimes are quantumly seperated ways of perceiving. They may live side by side in our understanding of ourselves in the world or mingle into something else.
They mirror our mentality. How I think about myself ~ in which context. And they for me are crucial to be aware of as they rule how I see myself and life. How I feel left with influence on which path to follow - what kind of life and reality I can imagine and how the building bricks look. Are they of stone and soil or of spirit - OR both?
It can be difficult to feel the magic story, when embedded in contemporary societies of at least the western world (as little as I know it), where everything not tangible often is marked 'not real'. And where open spirituality (even religiosity) often are a taboo. Or just not implemented in one's upbringing.
I see creativity and art to be the place where these pure or mingling stories are more widely welcomed.
It may live entirely within oneself and in the bedside drawer, or it may be expressed outwardly.
I have been much influenced by my inner devastating judgments coming along with creativity - and the hierachial arrogance on art and artists or who's worth behaving/acting in a certain way, that I've sensed in various contexts.
(the nordic 'Jantelaw' - is a way of framing it)
As much as I've loved to express myself within the field of performing arts - I am kind of fed up with disguising my deeper me in those rare situations, or feeling the need of being better than I am at something, to feel received and accepted.
I'm no way tired of the creativity, but the hiding itself feels like a lie.
This is why one of my main points with 'seeds of the new' is to create a field where we do not need to hide. Where we in our own time and pace can unmask from our different codes of outer reality, and turn to our inner ~ without the effort and ambition to perform, but let unfold what is ready and wishes to be unfolded.
The second mythical storyline (that elsewhere in these writings are included in the concept of a 'new-earth frequency') is where I see new potential through enspirited matter and air.
But that I will not open to by neglecting my learning on the first one. Where I learn to feel and clear my mind and emotions and basics of being in a bodily world.
(to be continued... )
